Originating from Chicago, IL, Charles “Rick” Heath IV is a versatile and renowned musician from local to international levels. Playing anything from Jazz and Blues to Gospel and Latin music, his signature sound is prominent in the recording studios, concert settings, live Broadway theater platforms, and currently as the drummer for pianist and jazz legend Ramsey Lewis. Some of his proudest accolades include works with Donald Byrd, McCoy Tyner, and Slide Hampton. He also served as the resident drummer with the national tour of Oprah Winfrey and Quincy Jones’ theater production of “The Color Purple.” He is often rotating hats of composer, band leader, recording artist, musical director, producer and teacher and simply inspires and outreaches to his surrounding communities at all times.

Heath’s prominent sound can be heard on recordings with Ramsey Lewis, Robert “Babe” Irving III, Bobby Broom, Zvonimir Tot, Larry Gray, Sergio Perez, Ken Chaney and the Roger Harris Trio. He proudly launched his first independent recording project entitled “Conversations” encompassing the sound of his very own Charles Heath Quartet.

Ryan Bills - Saxaphone
Aiden Buck - Trumpet
Jack Macklin - Guitar
Sam Mösching - Guitar
Jayden Richardson - Drums
Jeremiah Hunt - Bass

“K.I.M. (Keeping It Moving) is a genre-blending band led by Chicago bassist Jeremiah Hunt, fusing jazz, funk, soul, R&B, hip-hop, and more into a sound that’s fluid, bold, and deeply human. Whether it’s life, love, or the grind—K.I.M. is about pushing forward. With groove-driven performances and soul-charged compositions, this band isn’t just making music—they’re making motion.”

Ryan Bills - Saxaphone
Aiden Buck - Trumpet
Jack Macklin - Guitar
Sam Mösching - Guitar
Jayden Richardson - Drums
Jeremiah Hunt - Bass

“K.I.M. (Keeping It Moving) is a genre-blending band led by Chicago bassist Jeremiah Hunt, fusing jazz, funk, soul, R&B, hip-hop, and more into a sound that’s fluid, bold, and deeply human. Whether it’s life, love, or the grind—K.I.M. is about pushing forward. With groove-driven performances and soul-charged compositions, this band isn’t just making music—they’re making motion.”

Ryan Bills - Saxaphone
Aiden Buck - Trumpet
Leon Lewis-Nicol - Piano
Sam Mösching - Guitar
Jayden Richardson - Drums
Jeremiah Hunt - Bass

“K.I.M. (Keeping It Moving) is a genre-blending band led by Chicago bassist Jeremiah Hunt, fusing jazz, funk, soul, R&B, hip-hop, and more into a sound that’s fluid, bold, and deeply human. Whether it’s life, love, or the grind—K.I.M. is about pushing forward. With groove-driven performances and soul-charged compositions, this band isn’t just making music—they’re making motion.”

Ryan Bills - Saxaphone
Aiden Buck - Trumpet
Leon Lewis-Nicol - Piano
Sam Mösching - Guitar
Jayden Richardson - Drums
Jeremiah Hunt - Bass

“K.I.M. (Keeping It Moving) is a genre-blending band led by Chicago bassist Jeremiah Hunt, fusing jazz, funk, soul, R&B, hip-hop, and more into a sound that’s fluid, bold, and deeply human. Whether it’s life, love, or the grind—K.I.M. is about pushing forward. With groove-driven performances and soul-charged compositions, this band isn’t just making music—they’re making motion.”

Originating from Chicago, IL, Charles “Rick” Heath IV is a versatile and renowned musician from local to international levels. Playing anything from Jazz and Blues to Gospel and Latin music, his signature sound is prominent in the recording studios, concert settings, live Broadway theater platforms, and currently as the drummer for pianist and jazz legend Ramsey Lewis. Some of his proudest accolades include works with Donald Byrd, McCoy Tyner, and Slide Hampton. He also served as the resident drummer with the national tour of Oprah Winfrey and Quincy Jones’ theater production of “The Color Purple.” He is often rotating hats of composer, band leader, recording artist, musical director, producer and teacher and simply inspires and outreaches to his surrounding communities at all times.

Heath’s prominent sound can be heard on recordings with Ramsey Lewis, Robert “Babe” Irving III, Bobby Broom, Zvonimir Tot, Larry Gray, Sergio Perez, Ken Chaney and the Roger Harris Trio. He proudly launched his first independent recording project entitled “Conversations” encompassing the sound of his very own Charles Heath Quartet.

Get Ready for A Special Valentine’s Day: A Night with K.I.M.

Join us for an unforgettable in-person evening filled with love, music, and good vibes! Celebrate Valentine’s Day like never before with the amazing K.I.M. bringing the soul of Chicago Jazz to Florida just for you. Whether you're with your special someone or friends, this night promises lots of fun and memories. Don’t miss out on this unique experience—come feel the love and groove to the beats!

Ways to pay to secure your seats: 

Zelle: (302) 423-4873
Cash App: $HuntHouse250
Venmo: @Kenneth-Hunt

Event Summary

Timucua Amplifies Black Voices - Jazz Series: K.I.M. (Keeping It Moving) is a dynamic, genre-fusing band led by Chicago-based bassist and musical visionary Jeremiah Hunt. The name says it all—“Keeping It Moving” is more than a mantra; it’s a mission. Whether you’re navigating life’s twists and turns, pushing through emotional roadblocks, or powering through a workout, K.I.M. brings the soundtrack to your momentum.

Rooted in the rhythmic soul of Chicago, K.I.M. weaves together a bold tapestry of styles—jazz, funk, soul, R&B, hip-hop, rock, and beyond—blurring boundaries and reimagining what modern fusion sounds like. The band thrives on spontaneity, groove, and storytelling, creating music that is both deeply personal and universally relatable. At the heart of K.I.M. is the belief that movement is survival—physically, emotionally, creatively. Each performance is an invitation to journey forward, to heal, to dance, to reflect, and to grow.

Whether in the studio or on stage, K.I.M. channels the raw energy of life into genre-defying compositions that keep audiences on their feet and in their feelings. Jeremiah Hunt’s basslines anchor the group with purpose and soul, driving a collective of versatile musicians who each bring their own voice to the mix. Together, they create music that’s alive—constantly evolving, impossible to pin down, and always moving forward. K.I.M. isn’t just a band. It’s a movement.

In-person and livestream tickets available. Discounted tickets are available for members, students, teachers, frontline workers, veterans, and seniors.

This event is a part of Timucua Amplifies Black Voices 2026.

Free parking on Summerlin Ave. and at Wadeview Park.

Please bring a bottle of wine or non-alcoholic beverage to share.

By using a ticket to gain entry or access to an event or performance, whether in person or online, you consent to be photographed, filmed, and/or otherwise recorded. You acknowledge that Timucua Arts Foundation, Inc. shall have the right to use any such photographs and recordings in any and all media throughout the universe, in perpetuity, for any purpose whatsoever.

About

Boyce Hudson: The Matchmaker

Date: Thursday, February 12, 2026

Doors: 5:00PM to Venue | 7:00PM to Sanctuary

Showtime: 7:30PM

Tickets: Advanced - $25 (+$5.13 fees, including tax)  | Day of Show - $35 (+$7.23 fees, including tax)

‘Service charges apply...

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This is a 21+ event.

Presented by West Loop Entertainment.

$

You can get a refund if:

• It’s within 24 hours of buying tickets

• This event is rescheduled or cancelled

You can't get a refund within 24 hours of the event start time.

Originating from Chicago, IL, Charles “Rick” Heath IV is a versatile and renowned musician from local to international levels. Playing anything from Jazz and Blues to Gospel and Latin music, his signature sound is prominent in the recording studios, concert settings, live Broadway theater platforms, and currently as the drummer for pianist and jazz legend Ramsey Lewis. Some of his proudest accolades include works with Donald Byrd, McCoy Tyner, and Slide Hampton. He also served as the resident drummer with the national tour of Oprah Winfrey and Quincy Jones’ theater production of “The Color Purple.” He is often rotating hats of composer, band leader, recording artist, musical director, producer and teacher and simply inspires and outreaches to his surrounding communities at all times.

Heath’s prominent sound can be heard on recordings with Ramsey Lewis, Robert “Babe” Irving III, Bobby Broom, Zvonimir Tot, Larry Gray, Sergio Perez, Ken Chaney and the Roger Harris Trio. He proudly launched his first independent recording project entitled “Conversations” encompassing the sound of his very own Charles Heath Quartet.

Performance Run Time: 60–70 minutes, no intermission. 
Accessibility Services Available: ASL interpretation 

Multi-instrumentalist and composer Angel Bat Dawid is joined by the BLK Infinity Ensemble and D-Composed for a remarkable contemporary jazz experience — fusing music, history, and cultural expression.

The Souls of Black Folk Suite honors and explores the enduring relevance of W. E. B. Du Bois’s seminal work, The Souls of Black Folk, through a contemporary lens. The suite is a 14-movement work that sets to music the profound themes articulated in each chapter of Du Bois’s 1903 treatise, drawing on the rich traditions of Black music and culture. It will serve as a cultural ritual, engaging audiences with a blend of original compositions and traditional sounds. 

A world premiere by an all-star Chicago lineup, the work explores themes that remain as potent today as they were more than a century ago.

“one of the most vital avant-garde artists of her time” — The Guardian

Showtimes: 6:00PM & 8:15PM

Jam session: 10:00PM

John Lumpkin II (CEO & Founder) is a distinguished producer, educator, mentor, and artist with a profound commitment to preserving and shaping the future of jazz. As the founder of the Jazz Discovery Series, his vision is clear: to bring the next generation of jazz talent to the forefront, creating opportunities for both artists and audiences to engage with the music in a deeply personal and transformative way. 

The series is not just about discovering new musicians; it’s about uncovering the soul of jazz and its continued relevance in the present and future. Jazz is much more than an art form; it’s the heartbeat of communities, a reflection of collective history, and a space where visionaries redefine what’s possible. Through this series, emerging artists will share their sound, their stories, and the bold journey they are carving out in jazz.

NEW HARLEM OF THE SOUTH

Mixolydian is an intimate jazz listening room where the spirit of Southern hospitality meets the sophistication of classic jazz. Intentionally intimate, the space creates an environment where both the music and the meal are given the attention they deserve, each enhancing the other in a carefully curated experience.

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Located in Jacksonville, Florida, we hope to create a space that not only highlights the rich history of jazz in our own backyard—by way of LaVilla, a historic neighborhood celebrated for its deep jazz and Black cultural legacy—but also engages audiences and jazz musicians from around the world.

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With just 10–12 seats per show, every performance is designed to feel personal and profound. Guests enjoy a three-course Southern-inspired dinner prepared in-house, followed by a live jazz set that invites deep listening and emotional connection. Performances are livestreamed with high quality picture and sound for growing a global online audience, to expand Mixolydian’s reach while preserving its intimate, living room feel.

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This is not background music. It’s a return to the art of listening. Mixolydian is where world-class musicians meet attentive audiences, where storytelling through song is savored, and where community is built one set at a time.

Chicago-based jazz fusion band KIM kicks off their Southeastern tour in Atlanta with world-renowned drummer and hometown hero, Larry Wilson!

K.I.M. (Keeping It Moving) is a dynamic, genre-fusing band led by Chicago-based bassist and musical visionary Jeremiah Hunt. The name says it all—"Keeping It Moving" is more than a mantra; it’s a mission. Whether you're navigating life’s twists and turns, pushing through emotional roadblocks, or powering through a workout, K.I.M. brings the soundtrack to your momentum.

Rooted in the rhythmic soul of Chicago, K.I.M. weaves together a bold tapestry of styles—jazz, funk, soul, R&B, hip-hop, rock, and beyond—blurring boundaries and reimagining what modern fusion sounds like. The band thrives on spontaneity, groove, and storytelling, creating music that is both deeply personal and universally relatable.

At the heart of K.I.M. is the belief that movement is survival—physically, emotionally, creatively. Each performance is an invitation to journey forward, to heal, to dance, to reflect, and to grow. Whether in the studio or on stage, K.I.M. channels the raw energy of life into genre-defying compositions that keep audiences on their feet and in their feelings.

Jeremiah Hunt’s basslines anchor the group with purpose and soul, driving a collective of versatile musicians who each bring their own voice to the mix. Together, they create music that’s alive—constantly evolving, impossible to pin down, and always moving forward.

K.I.M. isn’t just a band. It’s a movement.

Tap & Jazz Jam Breakdown

House Band Set: 7:00PM-7:45PM

Led by Jeremiah Hunt & Nico Rubio

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Tap Jam Session: 8:00PM-8:30PM

This session will run like a live music Tap Jam, where the Tap Dancers can dance the entire song.

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Jazz Jam Session: 8:30PM-9:00PM

This session will run like a traditional Jazz Jam, where the Tap Dancers will not dance the entire song, but rather play the head and take solos like any other musician.

Tap Dancers should RSVP to secure their spot before they fill up. Musicians can show up & sign up the day of.

Showtimes: 6:00PM & 8:15PM

Jam session: 10:00PM

Showtimes: 6:00PM & 8:15PM

Jam session: 10:00PM

WDCB Night feat. The Jeremiah Hunt Quartet

Kevin King - Tenor Saxophone/Flute

Andrew Toombs - Piano/Keyboards

Frank Morrison - Drums

Jeremiah Hunt - Upright & Electric Bass

— Free Admission —

1 drink minimum

Award-winning Vocalist/Composer/Music Educator G. Thomas Allen (called by Christian McBride “Bishop” ) is listed as a "Rising Star” in the New Jersey Jazz Society, on the heels of winning the 2021 Sarah Vaughan International Vocal Jazz Competition. Recognized as the first and only male, in history, to hold the prestigious SASSY Award – Downbeat Magazine.

Thomas’ work spans to multi-genres, as a former Principal Artist of Los Angeles Opera, and lead singer on GRAMMY nominated album “Choirmaster” (Motown Gospel 2020). He has worked with the late David Baker, jazz educator and conductor of the Smithsonian Jazz Masterworks Orchestra at Strathmore Hall, guest soloist with the Black Pearl Chamber Ensemble, Royal Melbourne Philharmonic, and former member of Baltimore's Soulful Symphony. On the Chicago scene, noted collaborations and recordings with Marquis Hill, Greg Ward, and Pharez Whitted.

Don’t miss G. Thomas Allen 4TET, led by jazz vocalist, composer and music educator G. Thomas Allen (affectionately known as Sir Thomas Allen), whose soul-infused phrases, paired with improvisation both of contemporary stylizing to straight-ahead, classic jazz helped him to win the 2021 Sarah Vaughan International Jazz Competition. Known for his warm timbre and stratospheric range, compared to the likes of Philip Bailey, he is one the world’s leading countertenor voices.

G. Thomas Allen - vocals

Dennis Luxion - piano

Jeremiah Hunt - bass

Greg Artry - drums

Der aus der dynamischen Chicagoer Szene hervorgehende Multiinstrumentalist, Komponist, Kurator, Aktivist und Pädagoge Isaiah Collier hat sich insbesondere als Saxophonist einen Namen gemacht. Sei es mit seinen eigenen Projekten, als Teil von Angel Bat Dawid's Brotherhood oder an der Seite von Künstler*innen wie Chance The Rapper, Waddada Leo Smith III, Junius Paul und vielen anderen. Cosmic Transitions, Colliers drittes und jüngstes Album mit seiner Band The Chosen Few, erschien im Jahr 2021 und wurde von Publikum und Presse gleichermaßen gelobt. Die eindrucksvolle Suite wurde an Coltranes Geburtstag in Rudy Van Gelders legendärem Studio aufgenommen, wobei einige der analogen Geräte zum Einsatz kamen, die auch bei der Originalaufnahme von A Love Supreme verwendet wurden. Das Werk demonstriert nicht nur Colliers umfangreiche musikalische Bandbreite und Ausdrucksfähigkeit, sondern schafft es auch, die Tradition, in die es sich einreiht, zu ehren, und gleichzeitig entschieden zukunftsorientiert zu bleiben.

Isaiah Collier Saxophon

Jeremiah Hunt  Kontrabass

Julian Davis Reid Piano

James Russell Sims Schlagzeug